The innumerable admiration which that artist excited gave an air almost of poverty to this one face that she had to respond with, unalterable and precarious as are the garments of people who have not a "change", this face on which she must continually expose to view only the tiny dimple upon her upper lip, the arch of her eyebrows, a few other physical peculiarities always the same, which, when it came to that, were at the mercy of a burn or a blow.